Wicked Director Defends Movie’s Muted Color Grading
Wicked director Jon M. Chu has defended the movie’s muted color grading, saying it was deliberate to “immerse people into Oz” and “make it a real place” rather than appearing fake and plastic. Chu believes that if the movie’s colors were too vibrant, the relationships and stakes would not feel real.
In an interview with The Globe and Mail, Chu explained that the film’s dull color grading is intended to make the audience feel like they are experiencing Oz for the first time. He wants the audience to “feel the dirt” and “the wear and tear of it” due to the impact Oz has on the land. Chu also revealed that the color contrast will increase over time as Elphaba’s story advances.
The use of color in Wicked has deeper meanings, with the film using intentional color choices to tell the story of magic in the film. The land of Oz, which is supposed to be a magical place rich in color, is instead shown as withering away due to the wizard’s sinister plan to suppress magic.
Chu’s comment about the color grading being used to “immerse people into Oz” suggests that he is using color to tell the story of magic in the film. The lack of color also sets up for the change in Wicked Part II, which is expected to bring a new and different look to the film.
Overall, Chu’s defense of the muted color grading highlights the deliberate choices made to create a unique and immersive world for the audience. The film’s use of color may be different from what viewers are used to in traditional adaptations of Oz, but it is clear that the filmmakers are striving to create a new and original take on the beloved story.